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Jason Kennedy

William Gibson has written some great books, but this chapter, it just does not seem to work. The narrative voice feels like you are listening to a thesis that is struggling to remember it is a novel and the central character is attributed a thought or a line of dialogue every now and then, just enough to retain their shape, but not enough to generate any development. There seemed zero sense that it was a female, or what age they were, or what type of character they were. Instead, they were just lost inside this ultra-wry narration. I don't know what it is about ground-breaking writers, and Gibson certainly qualifies as one of those, but they seem to hit a point in their career where the world has caught up with them and all that is left is self-parody. It happened to Ballard a decade ago and now it has happened to William Gibson.

But don't be put off by this, if you haven't done so, go and read the first 6 Gibson novels, the two trilogies, absolutely great books (particularly Idoru, Count Zero and Mona Lisa Overdrive)

IT Training

Spookcountry
Tito is from Cuba, but he's been trained by the Russians and he's now doing delicate jobs in New York involving information transfer

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